Skip to main content
GUSH IS GREAT
Excess can be translated as a rift or understood as a drift, a choice according to George Bataille’s notion of “the accursed share,” where energy is spent beyond the confines of productivity, in solidarity. GUSH IS GREAT playfully engages with the economy of time and rituals of expense. Rhythm, music and pace cooperate to confront the viewer with paradoxes of utility: Are objects discarded as burdens or memorialized as traces? Is the forward gliding of bodies menacing or tempting? Is time an arrested pleasure or a regained commodity? Is the fall the moment where things end, or is it how they begin?

May 24, 2026

8:30 p.m.
Olympia City Music Theatre “Maria Callas”
Greek Premiere
France
Duration: 30’

GUSH IS GREAT

Production Xx
Excess can be translated as a rift or understood as a drift, a choice according to George Bataille’s notion of “the accursed share,” where energy is spent beyond the confines of productivity, in solidarity. GUSH IS GREAT playfully engages with the economy of time and rituals of expense. Rhythm, music and pace cooperate to confront the viewer with paradoxes of utility: Are objects discarded as burdens or memorialized as traces? Is the forward gliding of bodies menacing or tempting? Is time an arrested pleasure or a regained commodity? Is the fall the moment where things end, or is it how they begin?

May 24, 2026

8:30 p.m.
Olympia City Music Theatre “Maria Callas”
Greek Premiere

GUSH IS GREAT portrays a tightly bonded group of five performers moving with extreme slowness, as if emerging from a suspended dream. Their collective procession creates a raw, poetic atmosphere charged with contemporary tension. Everyday objects fall from their clothes—phones, cans, newspapers, flowers—forming a growing landscape of modern debris that disrupts the fragile rhythm. These discarded symbols become a quiet rebellion against the absurdities of today’s world.

The soundscape shifts between English pop, French Romanticism, insect noises, and chaos, reinforcing the piece’s emotional volatility. Slowness becomes a political stance, reclaiming time, simplicity, and meaning. The work explores fragility, mutual support, and the traces humanity leaves behind — often acidic, derisory, and unsettling.

The final fall raises questions: play, accident, collective surrender? Its only certainty is the shock it delivers, freeing the body and confronting the audience with the urgency of reinvention.

The work was presented at the international competition Danse élargie of the Théâtre de la Ville in Paris, and received two awards in 2024. In 2025, it was programmed at major festivals such as Aerowaves Spring Forward Festival in Gorizia, ImPulsTanz [8:tension] in Vienna, and the Operaestate Festival Veneto in Bassano del Grappa. In 2026, it is scheduled to be performed at the Festival Le Grand Bain at Le Gymnase – CDCN in Roubaix, La Maison danse CDCN Uzès Gard Occitanie au Pont du Gard, at Zürich Tanzt, etc.

The work was selected by Aerowaves in 2025

Perfotmance Logos
All performances of the festival are free.
Pre-booking is required.

Choreography: Production Xx (Julie Botet, Max Gomard, Philomène Jander, Zoé Lakhnati, Simon Le Borgne, Ulysse Zangs)

Performers: Julie Botet, Max Gomard, Zoé Lakhnati, Simon Le Borgne, Tom Levy-Chaudet

Lighting Design: Dgiorgia Chaix

Music: Ulysse Zangs

Production: Association Mandragore

Executive Production: Théâtre Molière → Sète, scène nationale archipel de Thau

With the support of: Festival de l’Impertinence, Sète; Théâtre Molière → Sète, scène nationale archipel de Thau; Danse élargie – Théâtre de la Ville de Paris & Fondation Hermès; le Gymnase CDCN Roubaix Hauts-de-France in partnership with La Condition Publique

Choreography: Production Xx (Julie Botet, Max Gomard, Philomène Jander, Zoé Lakhnati, Simon Le Borgne, Ulysse Zangs)

Performers: Julie Botet, Max Gomard, Zoé Lakhnati, Simon Le Borgne, Tom Levy-Chaudet

Lighting Design: Dgiorgia Chaix

Music: Ulysse Zangs

Production: Association Mandragore

Executive Production: Théâtre Molière → Sète, scène nationale archipel de Thau

With the support of: Festival de l’Impertinence, Sète; Théâtre Molière → Sète, scène nationale archipel de Thau; Danse élargie – Théâtre de la Ville de Paris & Fondation Hermès; le Gymnase CDCN Roubaix Hauts-de-France in partnership with La Condition Publique

GUSH IS GREAT
1/3
GUSH IS GREAT
2/3
GUSH IS GREAT
3/3
GUSH IS GREAT
1/3
GUSH IS GREAT
2/3
GUSH IS GREAT
3/3